Where he and countless others were born of the Corpse, made men by the Corpse, and undone by the Corpse, my obsession began in the waning months of last summer. I love Cannibal Corpse, but my history with death metal’s premier gore peddlers is quite different from that of my seasoned colleague Ferrous Beuller. The album may not be a violent revolution but it’s still a pleasure. To paraphrase Mille Petrozza, Cannibal Corpse‘s aim is to take many lives, the more the better they feel. For an act so infinitely imitated, only the originals can provide butchery with the same verve. If you enjoy death metal performed by peak professionals, then Violence Unimagined is a fine choice. And for a band fifteen albums and thirty three years in, that’s no mean feat. Whether it’s down to the pandemic, their lineup or both, Violence Unimagined is comfortable, but in no way staid. I was once of a mind that Cannibal Corpse were approaching a junction where they may need to affect some changes. On the other hand, its mistakes aren’t egregious. It lacks the barbarity of Bloodthirst or Kill and can’t keep time with the sinister buoyancy of Evisceration Plague. Violence Unimagined is, in many ways, a consummate Cannibal Corpse album. Especially in the wake of “Necrogenic Resurrection’s” taught and superior firepower.
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Even “Overtorture’s” late attempt to crack the speed limit seems like an afterthought. I can’t remember a note of “Slowly Sawn,” and closer, “Cerements of the Flayed,” which is clearly conceived as a sinister finale, lacks all context thanks to the record’s pace. As a result, the final throes of Violence Unimagined are hard to muster. Although it lends itself to “Follow the Blood” and the warped harmonies of “Bound and Burned,” it’s far too pervasive in the album’s entirety. But Violence Unimagined hews too closely to a middling tempo. “Death Walking Terror,” “Evisceration Plague” and “Scourge of Iron” all squarely aim hammer to face. I’ve spent years advocating Cannibal Corpse‘s mid-paced heft. While there can be no denying that Robb Barrett and Rutan gel together, their synergy also bears oddly homogeneous fruit. The songs have a tendency to creep in but, with repeat spins, an unfortunate trend becomes apparent. Violence Unimagined is a definite grower. As soon as he bellows “fire at will!” it’s an immediate notch on his ever-expanding belt of sing-along cacophonies. His barking turn on the brilliant “Follow the Blood” is another album highlight. George “Corpsegrinder” Fisher’s hulking vocals sound as perpetual as ever as he thunders the apocalyptic finale. The song, whose subject matter should require no explanation, reaches a huge apex before descending into a solo that, were it 1992, would certainly belong to James Murphy. Of particular note, however, is “Condemnation Contagion.” Cannibal Corpse have always matched their splatter lyrics with the appropriate musical themes but it’s rare they utilize abject melodrama. Conversely, first single “Inhumane Harvest” trades in a collection of alternating tempos that recall The Bleeding‘s killing formula. “Murderous Rampage” is an atypical opener, which means high energy, palsy-inducing pace and a lot of fun.
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But, every now and then, a few well-honed jets of arterial spray remind us these gore hounds still know how to bare their teeth. Violence Unimagined is, by and large, business as usual. While I can’t be sure just how much input he had on the writing process, his presence appears to have at least inspired a little creativity. Since the much publicized circumstances surrounding the departure of longtime guitarist Pat O’Brien, death metal royalty Erik Rutan has stepped in to fill the void. However, 2017’s Red Before Black was about as rote as I’ve ever heard the band. Deceptive technicality and single-minded pugilism meet in the middle for a memorable experience. But, for those of us who court the Corpse, the record provides spleen aplenty.Ĭannibal Corpse have always successfully captured my attention with their ability to combine fluidity with density. But then who needs killer riffs, memorable (meat) hooks and powerhouse vocals… Fifteen albums in and Violence Unimagined is unlikely to quell any elitist unrest. It is forever beyond me how any death metal aficionado can turn their nose up at an act as effective as Cannibal Corpse. Yet, all too often, their name is accompanied by inexplicable eye-rolling. Their discography contains many a predatory précis on a genre they helped define. Opaque riffs, furious vocals and a trajectory more certain than cradle to grave. This is a band that almost infamously represents death metal in its purist form. I said it in 2017 and I’ll say it again: I fucking love Cannibal Corpse.
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